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Star Nine

Review of: Star Nine

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Star Nine

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The series also created many species of its own, most notably the Changelings , the Vorta , and the Jem'Hadar , who formed part of the Dominion.

Jadzia Dax and other Trills portrayed in DS9 were distinctly different from how Trills had been depicted in the TNG episode " The Host ". In DS9, the relationship between host and symbiont was described more as a truly symbiotic relationship rather than the symbiont dominating the host.

Trills now having spots, rather than prosthetic make-up, was due to studio executives feeling that Jadzia Dax actress Terry Farrell was too attractive to cover her face up.

Cinefantastique , Vol. Another significant change was the relationship Ferengi had with Humans. The Ferengi on TNG had originally been intended to be a new adversary comparable to the Klingons in TOS, although the writers had quickly realized how ridiculous the Ferengi were as villains.

In DS9, the Ferengi were mainly entrepreneurs and the Ferengi Alliance was a politically neutral economic power. Deep Space Nine also featured several regular characters who were not members of Starfleet , with Kira Nerys , a member of the Bajoran Militia , and Odo , the station's chief of security , as well as civilians such as Quark and Jake Sisko.

The series spent some time exploring the mirror universe , which had not been seen since the TOS episode " Mirror, Mirror ".

The mirror universe was featured in five episodes of the series: " Crossover ", " Through the Looking Glass ", " Shattered Mirror ", " Resurrection ", and " The Emperor's New Cloak ".

The show also focused on a wider array of uses and depictions of functions for holographic simulations known as a holodeck in TOS and TNG but as a holosuite in DS9.

In addition to many obvious activities such as those referenced by Chief O'Brien and Julian Bashir which were completely in keeping with holodeck usage on The Next Generation , the numerous applications of the holosuites on DS9 included them being used as: a recurring background for people to hang out in, in the form of a s Las Vegas lounge in numerous episodes ; a weapons showroom by Quark ; and the location for a baseball game between teams assembled by Sisko versus Solok , a long-time rival Vulcan captain in " Take Me Out to the Holosuite ".

DS9 initially featured a noticeable change in Starfleet uniform to a reversed color scheme of the TNG uniform, which is a black design with the division color on the shoulders and a grayish-indigo undershirt underneath the uniform , resembling the cadet uniforms seen on The Next Generation.

This was mostly implemented as a continuation of Star Trek 's pattern of changing uniforms over time, although factors such as the discomfort of wearing TNG-style uniforms played a role as well.

What came to be known as the "DS9-style" uniforms were more of a variant than a switch, however, due to the cost of producing all-new uniforms.

This is why, for example, the DS9 crew themselves wear "TNG-style" uniforms in the beginning of DS9 pilot episode "Emissary" and, even after TNG had gone off the air, the dress uniforms and flag officer uniforms on DS9 up until the sixth season as well as uniforms on Earth , as seen in the fourth season episodes " Homefront " and " Paradise Lost " were "TNG-style", while the "DS9-style" uniforms were also later used in Star Trek Generations as well as throughout Voyager and continued to be used in DS9 up to " The Ascent ".

These discrepancies were corrected with the later switch to a unified, "gray-on-black" format with the division color undershirts , which was used through Star Trek Nemesis and were also used in this series, starting with " Rapture " and for the remainder of this series, though the old "DS9-style" uniforms in this series would appear four more times following the uniform change in the episodes, " In Purgatory's Shadow " and " By Inferno's Light " as well as seen on a photograph of " Field of Fire " and in the flashback scenes of " What You Leave Behind ".

The decision to set the series on a space station, rather than a starship, spawned when Brandon Tartikoff originally approached Rick Berman about the show, in , and specifically said he wanted it to have a format that was new for Star Trek but was classically western; if The Next Generation was Wagon Train in space, Deep Space Nine was to be The Rifleman in space — a man and his son coming to a dilapidated frontier town on the edge of known civilization.

Berman brought this concept to Michael Piller , and together they set about creating a western in space. As Robert Hewitt Wolfe later explained, " We had the country doctor , and we had the barkeeper , and we had the sheriff and we had the mayor , we had it all, it was all there.

We had the common man, Miles O'Brien , the Native American, Kira. This idea was ultimately rejected because it was felt that it would involve too much location shooting, and because they felt that fans of Star Trek wanted to see story lines set primarily in space , not on a planet.

New Frontiers: The Story of Deep Space Nine , DS9 Season 2 DVD special features. The change of venue to a space station was largely intended to differentiate DS9 from The Next Generation , because the producers felt that having two shows about a starship airing simultaneously would be unacceptable.

As co-creator and executive producer Rick Berman later explained, " Because there were two years of overlap with The Next Generation , we could not create a show that took place on a spaceship.

It just seemed ridiculous to have two shows and two casts of characters that were off going where no man has gone before. It was a land-based show, it was a show that in a sense was taking place on a space station.

So it had to be an entirely different concept. The decision to set the show on a fixed station rather than a traveling starship was also based upon a desire to look deeper into the actual workings of the Federation and to see how it dealt with the type of problems one wouldn't find in a show set upon a starship.

Michael Piller felt that, by having the characters standing still, they would be forced to confront issues not usually applicable to people on a starship.

Whereas on The Next Generation , issues raised each week could simply be forgotten about the following week as the ship visited somewhere else, on a space station, events couldn't be forgotten or left behind but instead had to have implications for the future.

As Piller explained, " We didn't want to have another series of shows about space travel. We felt that there was an opportunity to really look deeper, more closely at the working of the Federation and the Star Trek universe by standing still.

And by putting people on a space station where they would be forced to confront the kind of issues that people in space ships are not forced to confront.

In a series that focuses on a starship, like the Enterprise , you live week by week. You never have to stay and deal with the issues that you've raised.

But by focusing on a space station, you create a show about commitment. It's like the difference between a one-night stand and a marriage. On Deep Space Nine , whatever you decide has consequences the following week.

So it's about taking responsibility for your decisions, the consequences of your acts. Similarly, in , Piller stated, " If you look at The Next Generation , it's really about movement.

You don't ever stay in one place long enough to get to know anybody. Well Deep Space Nine is a show where everybody is forced to stay week after week, so each episode, each show, is fundamentally dealing with the people who have to learn that actions have consequences, and they have to live with the consequences of their actions on a weekly basis.

Setting the show in a fixed location meant that a large cast of recurring characters could be built up with relative ease; much more so than in The Original Series or The Next Generation before it, or Star Trek: Voyager , Star Trek: Enterprise , or Star Trek: Discovery since.

As Rick Berman, speaking in , stated, " The show was land-based, but the benefit we got from that was that by staying in one place, it enabled us to create twenty or thirty secondary and recurring characters, which really enriched the show because of all the multi-layers of relationships that have existed over the years.

It's a very character-driven show as a result, and I think that makes it quite unique. The decision to set the show in a fixed location was regarded as a benefit by the series' staff writers.

For example, Ira Steven Behr , speaking in , commented, " We have certain advantages that I think no other Star Trek series has had, because we do have a base of operations that doesn't travel through space, which is the space station.

Every story we do, the repercussions, the consequences don't disappear. It's not like the other shows where you have an adventure and then you zoom off into the great unknown.

We are here, we have made a home, what we do has consequences. And I think we're able to do this mosaic, this fabric of life in the future, which I like.

Not that we didn't go out there and discover things, but we had the same characters, we didn't change location every week. Sisko couldn't just solve a problem and sail off into the sunset, and never have to go back to that place again.

That place was always there, and that problem could always come back to haunt him. So, in a lot of ways, it was a more complex show. The series was designed to have more interpersonal conflict than its predecessors, while still staying true to the universe that Gene Roddenberry had created.

Rick Berman commented, " [Deep Space 9]'s an alien space station that doesn't work the way they want it to, and that in itself created a lot of conflict.

At the same, our core characters are Starfleet officers; Sisko, O'Brien, the doctor and Dax in no way vary from The Next Generation in terms of the lack of conflict among themselves.

That was a rule we had to follow. They still play paramount importance in what we're doing. We created an environment where Starfleet officers were in a location that they weren't happy about being in, and they were in a location where the people who lived there weren't all that happy about them being there.

The show's main cast was intentionally assembled to create conflict Quark and Odo, Kira and Sisko, etc. This was another very specific decision taken by the producers.

Gene Roddenberry's golden rule was that there was to be no conflict among Starfleet characters, so the producers decided to introduce non-Starfleet characters so conflict could come from within the show rather than always coming from outside as it did on TNG.

Rick Berman recalled, " We [ A group of our integral people are not Starfleet officers, and the ones that are Starfleet officers aren't crazy about where they are, so we have a lot of frustration and conflict.

They seem more real. I don't know if that makes them as attractive to viewers or not. But they are really different, and they represent a different way to tell a story.

And it was definitely a conscious choice to create that potential for conflict. Michael Piller also commented on this somewhat controversial aspect of the show; " One of the primary goals of the development process was to come up with a show that had more inherent conflict than The Next Generation.

In order to do that, you have to understand that Gene Roddenberry had a very specific vision for humanity in the 24th century.

What that meant for The Next Generation was that everybody gets along remarkably well on the Enterprise. There's very little room for interpersonal conflict between those people.

In this series, we set out to create a situation that would provide natural conflict. We've populated the show with several aliens, primarily Bajorans , as we are stationed on the edge of the Bajoran star system.

And the Bajorans are very different people than we are. They are people who are very spiritual and mystical and have a whole different way of looking at life than the 24th century humanist views which many of our Starfleet people will have.

So immediately, there are conflicts. And then there's additional aliens from elsewhere who are thrown into the mix. So, as regular characters, not all the people are Starfleet, not all the people are Human, and as a result, you have this continuing conflict, because people who come from different places, honorable, noble people, will naturally have conflicts.

Unlike with TOS and TNG, Gene Roddenberry wasn't directly involved in conceptualizing DS9. Regarding Roddenberry's involvement in the series, Rick Berman stated, " Michael and I discussed it with Gene when we were still in the early stages, but never anything conceptual.

By the time we had it to the point that it was discussable, he was in pretty bad shape and not really in the condition that it would have been wise to discuss it with him.

On two specific occasions I was with him at his house and we tried to bring it up, but it wasn't really appropriate. The disk itself is asymmetric and distorted, perhaps due to the gravitational tug of the wayward planet.

Other points of light in the image are background stars. Surprisingly, images of the star taken in by the Magellan Telescopes in Chile revealed a planet glowing from its own internal heat and sitting at an unusually large distance from the binary: times farther from the binary than Earth is from the sun astronomical units, or AU.

In , these observations provided evidence that led theorists to propose that the planet formed close to the binary star and was kicked out because of gravitational interactions with the binary.

This scenario has been tested with simulations of this system with the planet on a similar orbit — this was before we knew what the orbit of the planet was.

The problem, as pointed out by those simulating such planet interactions, is that a planet would normally be kicked out of the system entirely, becoming a rogue planet.

Some other interaction, perhaps with a passing star, would be necessary to stabilize the orbit of an eccentric planet like HD b.

This graphic shows how the exoplanet HD b may have evolved over time, arriving at its current, widely separated, eccentric and highly misaligned orbit.

Graphic courtesy of NASA, ESA, and L.

Star Nine
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  1. Zolora sagt:

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